SOCHI, Russia — When Meryl Davis and Charlie White began skating together in suburban Detroit, she was 9 and he was 8, awkward ages when a girl is not yet comfortable looking into a boy’s eyes, even for the theatricality of sport.
So
their coach devised a clever training solution for Davis’s shyness, redirecting
her gaze to a smiley-face sticker placed on White’s forehead.
“We
were clueless what we were getting into,” White said recently.
More
than 17 years later, their relaxed and reliable familiarity resulted Monday in
the first Olympic gold medal for the United States in ice dancing.
With a
refined sense of performance and tempo to accompany their speed and power,
Davis, 27, and White, 26, finished with great energy and defeated their
training partners and chief rivals, Tessa Virtue and Scott Moir of Canada, the
2010 Olympic champions.
While a
number of favored Americans have not fulfilled their hopes in various sports at
the Sochi Games, Davis and White performed with consistency and
resourcefulness. They won the long program with a season best of 116.63 points
and an overall score of 195.52.
Davis and White helped lead the United States to a bronze medal in the team competition as the Games opened. And they prevailed in the separate dance event with bubbly fluidity in Sunday’s “My Fair Lady” short program and with the dramatic tension of love and escape in Monday’s free skate to “Scheherazade.”
In
finishing second with 190.99 points, Virtue and Moir displayed ease and elegant
unison, exploring the way a relationship changes over time while skating to
music by the early 20th century Russian composers Alexander Glazunov and
Alexander Scriabin. Their only obvious flaw was a lack of harmony on a second
twizzle, or traveling spin.
The
bronze medal went to Elena Ilinykh and Nikita Katsalapov of Russia, who
performed a dynamic version of “Swan Lake” and drew thunderous flag-waving
support from a home crowd. They finished with 183.48 points.
Even as
American prominence in figure skating has ebbed, and popularity and power bases
have shifted to Japan, South Korea and a rejuvenated Russia, ice dance has become
a North American stronghold, though with Russian coaching.
Davis
and White took silver at the 2010 Vancouver Games, while White’s companion,
Tanith Belbin, and her dance partner, Ben Agosto, finished second at the 2006
Turin Olympics. The Canadian stars Virtue, 24, and Moir, 26, now have a gold
and silver medal in their Olympic jewelry collection.
And the
Arctic Edge ice arena in Canton, Mich., outside Detroit, where Monday’s top two
finishers train with Coach Marina Zoueva, has become the center of ice dancing.
A number of other top skaters also train in the area. Whatever financial ills
have stricken Detroit, and whatever prestige it has lost as an automotive
center, it has emerged as perhaps the figure skating capital of the world.
As
performers, Davis and White and Moir and Virtue provided the judges with a
compelling difference in style from which to choose. Among skating’s four
disciplines, none provides such a tug between art and sport as does ice
dancing, a strain that makes it engaging for many and extremely difficult to
resolve objectively.
Dance
has also been tainted by a perception of outcomes decided in advance. Even as
the Sochi Games began, L’Equipe, a French sports newspaper, wrote of a supposed
plan by Russia and the United States to fix the ice dance and other skating
competitions here. The International Olympic Committee dismissed the brouhaha
as groundless gossip.
But
another dust-up occurred Monday, when Moir and Virtue were downgraded for a
dance sequence known as a Finn step. No skating official bothered to explain
the mistake. And the inventors of the sequence said that the Canadians were
judged too harshly.
On some
level, the outcome of any ice dancing competition seems to distill itself to
preference as much as skill and performance.
Moir and Virtue are classic ballroom dancers with a lyrical,
romantic connection. Davis and White are more gracefully athletic, evidenced by
their first lift Monday, when Davis swooped from her back, low and parallel to
the ice, to White’s shoulder. Slightly more effort was needed than usual, but not
enough for any real disruption.
Later, White held Davis in an inverted position as he glided
across the ice. And the concluding 40 or so seconds of the four-minute program
were performed with enormous stamina and vitality, a strategy designed to
impress the judges with resilience in the face of exhaustion.
Davis and White whirled across the arena, then she placed her
left skate on White’s right thigh and wrapped her free leg around his neck
before plunging toward the ice, head first, in a final kinetic maneuver as the
program concluded musically and thematically.
“You’ve got to leave a lasting impact and cap it off with an
exclamation and make sure everyone remembers that we put it all out there,”
White said.
Four years ago, in Vancouver, athleticism was something both
to recommend and restrict Davis and White. Now they are more complete
performers and believable storytellers, having been pushed by their training
partners and having worked diligently to build emotion, charisma, mood, love,
passion.
“Especially this year, they grow as actors,” Zoueva said.
“They hear music very well. Now the body can explore what they hear.”
Davis possesses a striking look with wide-set eyes that draw
attention to her hypnotically and gives her what White calls an ethnic ambiguity,
allowing her to portray various exotic roles.
She has worked at times with a mime to aid her
expressiveness. And Davis consulted a dancer and choreographer from “Dancing
With the Stars” to refine the light and flowing fox trot and quickstep routine
in the short program.
In the free dance, Davis worked with a Persian dancer to
prepare for the role of “Scheherazade,” the sultan’s wife whose enchanting and
unending stories distract her husband from his aberrant habit of marrying a new
wife each day and having the previous one put to death.
“She’s not only trying to save her life because she’s in this
situation,” Davis said. “She’s not a victim. She inserts herself into it to
prevent the sultan from continuing his ways.”
With mystery, intrigue and the contrast of changing fortune
shown through music and movement, Davis and White won the gold medal. She was
far from the shy girl who learned to skate because she lived near a lake that
froze in winter and was partnered with a boy into whose eyes she could not look.
“Having been together 17 years plays a huge part in how
comfortable we are on the ice and in big moments,” Davis said after the short
program. “We’ve been through so much together. When we took the ice, we felt
calm.”
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